Valley of the Muse

In Part 1, I introduced the benefits of building a creative platform for new and emerging artists*.

One common attitude from new artists who are struggling with productivity is the belief that they need to produce an epic piece. They have a ton of ideas and dreams of one day leaving their day job to make money off of their creations. Sometimes, this belief can arise because of job loss, staycations, nanowrimo, etc., where there is an urgent pressure to create something right now.

Not surprisingly, this doesn’t really work, and the emerging artist feels discouraged. The reality of how much can be accomplished in a day can make it seem like their dreams will never come true, and they go back to longing for a creative outlet without ever doing much more. I think this is a shame, because there is so much creativity that could be shared with the world but isn’t, all because of a mistaken impression of creative output.

Whenever I’m tempted to think like this, I always remind myself of a visualization exercise I discovered on a financial blog. The exercise is meant to encourage people to save money, but I think can be applied to any activity.

Picture a leaking tap. If you place a bucket underneath it, eventually the bucket will fill up with water. It might be faster to fill up the bucket with a tap that’s spraying water everywhere, but being covered with water while trying to mop up the floor and counters is an unpleasant experience most of us don’t want to repeat. This analogy can be applied to creative projects, where the spraying water is your attempt to cram a novel into a week’s vacation (or a weekend) by staying up late and pushing yourself until you’re done. Even if you end up with a decent product, you’re unlikely to try it again, because of how difficult it was and how miserable you were after you were finished. If you’re going from zero output but are now serious about bringing your art to a more professional level, then you’re much better off using the first method. Maybe that means writing flashfiction every week or month, or taking the time to go for a walk every Sunday and taking photos of the things you come across. If you’re knitting, limit yourself to one or two rows a day, or if you’re a bassist and want to start performing again, schedule 30 minutes every few  days to play along with your favourite songs.

Once you get into the habit of creating, you’ll find that you’ll build up a portfolio without even noticing. And when you have an opportunity to talk to others about your projects, you’ll have concrete examples of your work, rather than just saying “well, I have this idea for a story that I’ve been thinking about for years.” You’ll be taken more seriously, and the more you create, the more opportunities you will have for paid work.

Even more importantly, on days when you’re second-guessing your own talent, you’ll be able to prove to yourself that you’re capable, because you’ll have a body of work to rest on.

—
*I’m going to use the term artist to refer to anyone creative, including (but not limited to) writers, photographers, crafters, painters, actors, musicians, etc.

Continue to Part 3

Related posts:

1. Building a Creative Platform – Part 4 Establishing Yourself as an Expert Read Part 1, Part 2...
2. Building a Creative Platform – Part 1 Most people who achieve a modicum of creative success have...
3. Building a Creative Platform – Part 3 Read Building a Creative Platform – Part 1 and Part...
4. On Building a Support Network As a writer, I spend a lot of time alone....
5. Mindfulness and Productivity When I first started reading about increasing writing productivity, I...

Related posts brought to you by Yet Another Related Posts Plugin.

Tags: Advice, Personal Development, Practical Methodology, Series: Building A Creative Platform